Other than the Tine Spine Tine Quoin Quoin mantra during the tracing of the Aster, the Megâk Mantra is the practice of the tracing of a path around a sphere (the Esokirkos), by the tongue within the cavity of the mouth, while toning. This produces a peculiar melody which is unique to this method. The closest thing to it would probably be the Tibetan throat singing, but I don't think they use the tongue in this geometric way and may be unique to Megâk.
The tongue performs the Esokirkos inside the mouth while a tone is produced. Whatever the sound is that is produced, this is the song. Because the tongue is following a specific path, it constitutes as a word - albeit a very long one. It is in this context that the activity should be considered a mantra. The orientation of the Aster will change the song due to the path taking a different route within the mouth. The Exwhyzedex, the Whyzedexwhy and the Zedexwhyzed are the different songs that can be performed. The size and speed of the Aster will also vary the song.
The animation on the right uses a ball to illustrate the movement that the tip of the tongue makes.
The cavity of the mouth produces an orb of resonating space which is carved and dissected by the tongue as it describes the path of the Esokirkos or Aster. Because the path of the tongue follows a precise route, it will produce a specific melody which repeats. The repeating will produce a rhythm and create a song from the aspects of the melody.
The change of note produced in its set rhythm is equivalent to the words chanted in a mantra or other incantation. The actual words are irrelevant in a mantra, as the language areas of the brain are not involved, although they might help the effect if the brain is conditioned into thinking that it does or associates a mental concept with the performance. This is how magic works. The Aster is a path of sacred geometry and when this path creates sound, that sound is a sacred word—the Word of Aster. This word does not belong to any human language; it is beyond the contrivances of human invention and is pure and from a universal base: it is divine.
With the eyes closed and linking the eidetic image of the pentagram with the motion of the tongue and the feeling that derives from it, along with the sound that it produces, and the sustained slow breathing necessitated from the in and out toning, a meditation is achieved. The absorption level due to the complexity and concentration needed, is the amount of involvement that is necessary in Megâk. The commitment reinforces the gravity and seriousness of the desire that can accompany it, further enhancing the neurological effect.
The Song to Summon the Kundalini Dragon
The performance of the mantra described above but with a downward pointing Aster, can be duplicated with the Sacral Aster to strengthen both with the yoking it provides.
Because the tongue is taking a different path compared to the upward pointing Aster, the song will be different too, and together with the sensation of performing the Sacral Aster concordantly, a special spell is achieved, enough to invoke a summoning of the Kundalini with the visualising of a dragon or serpent swimming within the sacral basin. A sacred form within a sacred place using a sacred word.
